Mexican and South American Knives
- Bowie knife, Mexico. Carved bone handle with engraved German silver
guard and ivory pommel, 8 ½ inch blade marked “No me saques sin razon
no me embaines sin honor” (do not draw me without reason or sheathe me
without honor)- Gaucho knife, Chile. Ivory handle with German
silver mounts, 10 inch blade with a Spanish notch, marked “Toledo
Temper”, made by I. P. Cutts & Sons in Sheffield.- Dagger,
Mexico. Silver and abalone handle, 6 7/8 inch blade, etched with a
Mexican eagle, a hacienda, floral and scroll designs, made by Teodoro
Medina in Monterrey.- Gaucho knife, Argentina. Silver handle and sheath with gold layering, 6 inch blade, made ca 1880.
- Bowie
knife, Mexico. Carved bone handle with silver mounts, 10 inch blade
engraved and overlaid with gold and silver vignettes, incl. Montezuma
and a Mexican eagle.- Gaucho knife. Silver (?) handle, 8 ½ inch
blade marked “Viva La Libertad” on the pile side and “Viva La Ley” on
the mark side, made by Minervus in France, 1850s.- Bowie knife, Mexico. Carved bone handle with the words “Colima, 1870”, 12 inch blade, engraved silver sheath throat and tip.
- Gaucho
knife, Brazil. Silver-mounted handle and sheath with gold overlay, 6
¼ inch blade, marked with a star and “Prieu, Pelotas”.- Gaucho knife. Handle and sheath finished in gold vermeil, 4 ¾ inch blade, ca 1884.
- Gaucho knife. Silver and gold handle and sheath, 11 ½ inch blade marked “Libertad”, made by M. Verdes.
“South of the [U.S.] border, Bowies took on a decidedly different look. Latin culture focused on the knife more than it did on the gun as a defense weapon. The highly decorated knife had an important place in the society. […] The Argentine gaucho’s knife is shaped much like the Mediterranean dirk [the what now?]; this latter knife is thought by many to be a direct progenitor of the American Bowie. We see the Spanish notch on many blades – a notch that’s used as a thumbnail to rest to steady the point when the blade is used upside-down.”
From The Antique Bowie Knife Book, by Bill Adams, J. Bruce Voyles & Terry Moss (Museum Publishing Company, Inc., 1990)