endromeda:

chronographer:

wackd:

ultrafacts:

He was a young artist employed by the Disney studio, but tasked with the entry-level job of finishing off the work of the animators and crafting the “in-between” animations that completed the characters’ movements. Wong had learned that studio executives were creating a film from the new novel, Bambi, A Life in the Woods by Felix Salten. Tom says the young artist read the book and without consulting his supervisor, “took the script and painted some visual concepts to set the mood, color and the design.” 

His sketches recalled the lush mountain and forest scenes of Sung dynasty landscape paintings. His initiative paid off. Walt Disney, who was looking for something new for the film, was captivated and personally directed that Wong be promoted. Today, top animators and illustrators revere Wong’s work. Children today are as enchanted by the misty, lyrical brushstrokes of Wong’s colorful nature scenes, inspired by his training at Otis College of Art and self-study of Sung Dynasty art 

Source [x]

Follow Ultrafacts for more facts

HE’S STILL ALIVE

HE’S 105 YEARS OLD AND HE’S *STILL FUCKING ALIVE*

THIS GUY HELPED MAKE THE FILM THAT MADE ME WANT TO BE A FILMMAKER AND *HE IS STILL ALIVE*

AAAAAAAAAAAAAH

I met him at a gallery event a number of years ago and, UGH HE IS SO TALENTED AND SO KIND AND ENCOURAGING THERE IS A REASON WE ALL LOVE HIM. Also, my alma.

GUYS WTF IS THIS CRAZY TALENTED GUY- HE MAKES KITES TO WOW JUST WOW

doctorbluesmanreturns:

What bothers me most about the live action remakes of Disney movies is that animation is SO MUCH BETTER at basically everything. Like compare the Cave of Wonders in Aladdin:

vs

There’s no contest, the original is better designed, scarier, more mysterious, EVERYTHING. The new one is constrained by the laws of the physical world and as such, suffers.

The problem isn’t with doing things with CGI as some people have suggested, it’s just that when you have something amazing already, it’s usually a downgrade to take it out of animation and into the real world. 

mistykins06:

damselindeduction:

a-kent:

lainybunbuns:

rrueplumet:

i love prince eric.  from the little mermaid.  he’s hilarious.  because he seems like one of the most mild-mannered and unassuming princes in the disney canon, but he is also one of the few to actively kill the bad guy.   most disney villains die by consequence of the final battle but are not directly killed by the hero/heroine.  most of them fall to their deaths or cause their own demise, and sometimes the hero is indirectly responsible because they’ll launch them into that direction or something, but they still don’t bring knife to heart directly.  

but then a couple do.  and prince eric is my fave out of those few because up until the final act, he is the most chill motherfucker u ever seen.  like he is quick to spring to action during the storm scene n stuff, but otherwise?  he’s really quiet n sensitive and runs along the beach playing the flute for his big shaggy dog n he smiles like a lil nerd and gets all cute around ariel and he’s so sweet n everything.

AND THEN IN THE FINAL BATTLE THAT MOTHERFUCKER STRAIGHT UP DRIVES A SHIP THROUGH URSULA LIKE WHAAAAAAAAAAAAAAAAAT!!!!  NO WONDER NO ONE IS TRYIN TO LAY SIEGE TO HIS KINGDOM!!  ALL THE NEIGHBOURS ARE LIKE “HOLY SHIT DON’T GO THERE! PRINCE ERIC IS A BEAST!  HE’LL STRAIGHT UP DRIVE A BOAT THROUGH YOUR BITCH!”

i love him

At the beginning of the movie Prince Eric, without hesitation, jumps into the ocean, in the middle of a storm, and climbs onto a ship that’s on fire, all to rescue his dog.

Then when he’s convinced some mystery woman saved him, he starts looking for her just to thank her. On his way, he meets some mute naked teenage girl who can’t even walk or dress herself, confirms that she’s not the girl he’s looking for, then brings her to stay at his castle anyway, for no particular reason.

No one questions this, just like they don’t question when he shows up three days later with a mysterious woman one morning and says he’s getting married that same day. At said wedding, several witnesses see his fiance turn into a sea monster, which he then murders by piloting a submerged ship pulled up from the bottom of the ocean straight into her.

A week later, he marries the mute girl and the god of the sea himself rises from the ocean to give his blessings. Again, no one questions this.

I’m convinced that Eric had to have done some crazy insane stunts on a regular basis, cause despite him being so chill and relaxed normally, no one bats an eyelash at any of his ridiculous decisions or incredible feats during the course of the film. Clearly they’re all used to it, and rumours of him marrying an ocean princess would only dissuade potential enemies of his country even further.

a common conversation around the kingdom:

“Did you hear what Prince Eric did this morning?”

“Oh gods, not again.

This is going to be my favorite thing for a while.

I’m going to need stories about Prince Eric and his Shenanigans STAT.

Cinderella was too weak to fight for herself…AND THAT’S OKAY!

marauders4evr:

I cannot believe we’re still tearing Cinderella down! 2018 only has a few months left and we’re still doing this, we’re still painting her as the weakest Disney princess and we’re still painting her weakness as a bad thing?

Why?

Why are people so caught up on bashing this princess?

“The movie is so simplistic—”

In what way is it possibly simplistic?!

“She didn’t work hard—”

YES, SHE DID!

“Well, okay, but the fairy godmother still had to come in—”

Yep, I remember the movie too, and the countless stories on which it’s based.

“So the fairy godmother was the one who caused the happily ever after.”

She sure was, now, what’s your point?

No, really, what’s your point? Is the point that Cinderella is somehow weak because she wasn’t 100% in control of her own life? Seems like a pretty disgusting opinion to have when the whole movie is about an abuse victim finding a way out of her horrible situation. So Cinderella wasn’t the one who got herself out. So what? Instead of looking the movie at its bare surface, maybe try analyzing it with a bit more thought and tact. You might see something a little different. A magical transformation, if you will.

Because Cinderella did work hard.

And guess what we learned from that?

You can work

image

and work

image

and work

image

And there will still be people out there who will try to tear you apart:

image

Literally.

And that sucks. It’s a horrible lesson to learn but it is something we will all face in our lifetimes. There will always be people who will try to tear us down, there will always be people who will try to rip us apart, until we’re in a low place:

image

Until it seems like there’s no hope…

image

Until it seems like you’re too weak to get out on your own…

And maybe you are.

Maybe you are too weak to get out on your own. Maybe you’re not the strongest woman in the world. Maybe you’re not capable of screaming at the top of your lungs or brandishing a weapon or throwing a punch. Maybe you’re not able to get out of something on your own. Maybe you hit a low point and maybe you have no way out of it. Not alone. But that’s just it.

You’re not alone.

image

Even at your lowest point, someone will come help you.

You don’t have to do it all alone.

It’s okay to have a little help when you have nowhere else to turn.

Cinderella is the story about an abuse victim who is unable to get out of her toxic situation by herself and just when she begins to lose all hope, is able to get help from an unlikely source. It’s the story about a girl who needs help getting to her happily ever after and that’s okay

Give us advocates:

image

They deserve their happily ever afters!

Give us warriors:

image

They deserve their happily ever afters!

Give us fighters:

image

They deserve their happily ever afters!

Give us girls who are not advocates, girls who are not warriors, girls who are not fighters, girls who still deserves their happily ever afters:

image

itscoldinwonderland:

thebuttkingpost:

twofacetoo:

misterclarkrogers:

envymyblackness:

rootbeersweetheart:

freshprinceofmaldonia:

Human screentime of Disney PoC characters in 3 of the last 6 PoC-lead WDAS films

*sips her tea*

That’s what I said

oh no

It’s funny how there’s still ‘pee-oh-see‘ (let that phrase fucking die) characters in Disney movies who ARE HUMAN FOR LITERALLY THE ENTIRE FILM

But hey, you wanna know who else wasn’t human for the majority of their movie?

CAPTAIN WHITEBOY MCFURRY HERE

TRANSFORMATION IS A PLOT POINT OLDER THAN FICTION ITSELF

IT’S NOT RACIST.

GET OVER IT.

GO OUTSIDE.

I find this especially funny since literally every character in the emperor’s new groove is the same race as kuzko

^^^

Details From Disney Movies

studthismuffin:

catchymemes:

In The Lion King, unlike the other lions, Scar’s claws are always displayed throughout the movie.

image

In The Little Mermaid (1998) when King Triton is introduced, you can see Mickey, Donald, Goofy and Kermit the Frog in the crowd, underwater.

image

In Cars, the flies are actually tiny cars with wings.

image

In Hercules (1997) the Fates tell Hades all the planets will align but only show 6 planets aligning. These are the 5 planets plus Earth that the ancient Greeks were aware of and could see with the naked eye.

image

In Zootopia, while Officer Judy Hopps is ticketing cars around the city, she never crosses the street illegally. She always uses a crosswalk and looks both ways before crossing.

image
image

In monsters inc, sully’s chair has a hole in it to accommodate his tail.

image

In The Brave Little Toaster, all of the walls in the cottage are cleaned only as high as Blanky can reach.

image

In Cloudy with
a Chance of Meatballs, during the food storm the president’s of Mount
Rushmore get pied in the face but Abe gets hit in the back just like his
assassination.

image

In Cars the truck stop advertises “convertible waitresses” i.e., topless.

image

In Finding Nemo, Bruce the shark starts crying when Marlin starts talking about Nemo, saying “I never knew my father”. Male sharks mate with the female then leave, so baby sharks never actually meet their father.

image

The Magic Carpet from Aladdin makes an appearance in Moana.

image

In UP, there are craft supplies on the table by Ellie’s hospital bed when she gives the Adventure Book to Carl.

image

The hold up scene in the Incredibles is actually an homage to a similar scene from Die Hard with a Vengeance, which also starred Samuel L. Jackson.

image

In Toy Story 3 (2010) Buzz Lightyear’s batteries are exposed showing the Buy n Large brand, the same company responsible for making WALL·E.

image

In Ratatouille (2007) Anton Ego’s typewriter resembles a skull and his office a coffin.

image

In Monsters, Inc. (2001), there are multiple sizes of coffee cup for each of the different sized monsters.

image

In Toy Story 2 (1999), as the restorationist is going through his equipment, he opens a drawer filled with chess pieces. This is a reference to the Pixar short “Geri’s Game” where a similar looking man plays a game of chess against himself.

image

In Inside Out (2015) while going through Imagination Land a game box can be seen in the background with Nemo on it called Find Me.

image

In Cars, you can spot Sully and Mike in cars form!

image

At the end of Ratatouille (2007) Anton Ego is a little bit fatter. This is especially poignant since he states, “I don’t like food, I love it… if I don’t love it I don’t swallow.”

image

In Coco we can see The Incredibles poster.

image

Insuricare,
the company that offers “car life insurance” to the cars in Cars 2, is
the same company Bob Parr works for in The Incredibles.

image

In Inside Out (2015) two of the memory orbs on the shelves contain scenes from Up (2009). One features Carl & Ellie’s wedding, while the other shows their house.

image

In
Toy Story Woody is trapped in a crate which is stuck under a ‘Binford’
tool-box. Binford is the fictional tool company in the TV show Home
Improvement which starred Tim Allen, the voice of Buzz Lightyear.

image

In
The Incredibles, in Bob Parr’s home office, there’s a photo from a
fishing trip where it appears he caught Bruce from Finding Nemo.

image

In
Cars 2 (2011) while in a pub in London there is a tapestry on the wall
that is the DunBroch family tapestry from Brave (2012), except they are
portrayed as cars.

image

In “Ratatouille” (2007), Linguini has to hide Remy before his second
day of work. He offers to hide him in his pants, revealing his briefs
covered in The Incredibles logo.

image

After the plane is blown up in The Incredible, Helen (Elastigirl) knows the plane debris is going to fall on them due to seeing the reflection in the water.

image
image

THIS

rapacityinblue:

tinydooms:

lumiereswig:

bubblyskootch:

bemusedlybespectacled:

fandomsandfeminism:

typette:

I remember posting somewhere once in a thread about why girls aren’t exploited in animation anymore where some guy said, “all the disney girls are drawn to be generally attractive, but I don’t think there are any eye-candy men… or are there? Are there any Disney men that lots of girls like?” and I mentioned Roger. Tons of girls replied agreeing with me and the original guy was like “wait, Roger? from 101 Dalmatians? What’s attractive about him, he’s tall and lanky and has a big nose, he isn’t muscley at all! Wouldn’t you all prefer Gaston or something? Or do you girls think his big nose is indicative of something else?” and I was like “no, you idiot, he’s a silly, goofy guy who likes animals and can play a bunch of instruments, that’s why he’s attractive. What’s the matter with you? Gaston, seriously?”

This is why we need more girls in animation. And more guys like Roger apparently. 

This is why I laugh my ass of whenever dudes talk about how men are “objectified” by the media too. Because 9 times out of 10, what men think is “women objectifying men” are characters like Gaston.

And Gaston is NOT a woman-driven fantasy. Gaston is a male wish fulfillment fantasy. Gaston is not what women want, he is what men want to be. He is hyper-masculinity to an extreme degree, dripping with sexism and testosterone. The fact that men think that Gaston is what women want says an awful lot about those men. 

While I don’t want to generalize, female fans tend to prefer a very different kind of male hero. We like the Rogers, the Milos, the Hercules. Genuinely kind, often awkward men who are sometimes vulnerable and respectful to women. 

Yes, this is a generalization. I own up to that. But I think it’s important to remember that there is often VERY big difference between what MEN want to be and what women WANT in our media. 

Reblogging this again because fucking this. And hell, even the muscley dudes (see: Khal Drogo, Hercules, Thor, Captain America) are loved, not because they are muscley, but because they are sweet and loving and adorable. We love Thor because his mispronounces “Hubble” as “Hooble,” not because of what he can do with a hammer.

Reblogging for the awesome comments.

I’m just here to say I love the animation of Roger so fucking much.  look how fucking smooth and graceful and agile he is. 2d animation is amazing and i just want to hug it

All of this. 

Okay, listen, to return briefly to the idea of Gaston: Beauty and the Beast is actually the first animated Disney screen play written by a woman. Linda Woolverton, the screenwriter, got a lot of attention for creating a self-proclaimed feminist heroine in 1991, but she also had a *lot* to say about Gaston. She didn’t stumble into that villain by mistake. She crafted him based on her own experiences with men and even her ex-boyfriends, and said: “To Gaston, Belle wasn’t a person; she was a possession. And I think it’s great for little boys to see that Beauty doesn’t choose him. Not only can they look at Gaston as an example of how not to treat women, but they can hopefully be taught by the Beast, a macho guy who is comfortable with his feelings and gentleness. He could teach a lot of men, in fact, about sensitivity.“

Not only is Gaston not a woman’s fantasy, he’s literally a woman’s horror story.